Pixar films have never been shy about death. The “Toy Story” films are, in part, about mortality. The poetic highlight of “Up” is a wordless sequence of a spouse’s passing. The Earth, itself, was left for dead in “Wall-E.”
But Pixar plunges fully into the afterlife in “Coco,” a brightly colored fable surrounding the Mexican holiday Dia de los Muertos (Day of the Dead).
The imagery of skeletons and graves in a kids’ movie might have put off other animation studios. But director Lee Unkrich (“Toy Story 3,” ″Monsters, Inc.“) envisioned a film about family heritage and keeping . . .
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